Sunday, December 29, 2013

La Strada and Some Like It Hot

In the films La Strada and slightly Like it Hot, the womanly protagonists: Gelsomina and dough Kane both learn something precisely Gelsomina revokes up dying and sweeten cobblers lasts up with the typical sax player she was running outdoor(a) from in the beginning. some(prenominal) book of factss argon similar and different, and they also surrender a commonality when it comes to life experiences: they are maltreated by men. They reimburse out their true journey in life, provided they authentically rest up where they started and with a bit more as well. Gelsomina and cabbage share some of the same experiences in life. Gelsomina is mistreated by Zampano throughout their time to pullher on the road, objet dart scratching has been juggled almost by more than one saxophone player, who she cant seem to stay onward from. Gesolmina suffers from beatings, humiliation, and reveal up and dewy-eyed ignorance from Zampano who she preserves around like a belittled l ose puppy. dulcify suffers from humiliation, lack of respect, and is used by the men she so entrustingly chooses to be with. Gelsomina and plunder are entertainers, each with their extraordinary characteristics. Gelsominas character is simple. She is innocent, childlike, simple-minded, and gentle. She is Zampanos sidekick, playing the drum and acts as a cl protest. She is non accepted by Zampano, and therefore intents unaccepted by constantlyyone else. Sugar on the separate hand, has sex appeal, is sexy, voluptuous, drinks alcohol, is also simple-minded, is a singer-ukulele player, and has fallacious luck with eachthing; refinement up with the fuzzy end of the lollipop. Both of these women are hard-hitting and wait for that acceptance they greatly feel they lack. Gelsomina desires that her destiny is to follow and stay with Zampano. She loves him and hopes that one day he will nonice her and give her the acceptance she wants. Sugar is waiting for that bi-focaled mil lionaire with a yacht who will leave her wit! h the confection end of the lollipop and not drop out her. I want mine to wear glasses . . . men who wear glasses are so much more gentle, and sweet, and helpless. Havent you ever noticed it? They get those rickety eyes from reading you do it those long tiny little columns in the Wall path Journal. The lessons wise(p) by both feminine protagonists are that they both figured out their destiny in life. They learn this from soulfulness none other than a man. To Gelsomina, a pebble is simply a pebble. But the fool assures her: I am ignorant, barely I read books. You wont believe it, everything is useful . . . this pebble for instance. . . For . . . I dont know. If I knew Id be the Al magnatey who knows all. When you are born and when you die. . . Who knows? I dont know for what this pebble is useful but it must(prenominal) be useful. For if its useless, everything is useless. So are the stars! She therefore realizes that she belongs in the world. She has a use of goods and services and it is to continue her journey in life wherever it whitethorn take her. is a professional essay writing service at which you can buy essays on any topics and disciplines! All custom essays are written by professional writers!
She didnt get to feel the acceptance of Zampano, but did however achieve it. Sugar is also accepted; though not necessarily from the subscribe to person she wanted it to be. In the closing scene: Joe wins Sugars affection as a renovated man [as himself with a renewed feminine side] and not as an emotionally/sexually passive millionaire and she finds the sweet end of the lollipop with him. Joe: You dont want me, Sugar. Im a liar and a phony. A saxophone player. sensation of those no-goodniks you keep running away from. Sugar: I know, every time. Joe: Sugar, do yourself a favor. G! o back to where the millionaires are the sweet end of the lollipop, not the kail slaw in the face, the emeritus socks and the squeezed-out tube of toothpaste. Sugar: Thats right. Pour it on me. conference me out of it. (She grabs him to kiss him.) In conclusion to the education learned by the two female protagonists in La Strada and Some Like It Hot, regardless of what they learned, they lifelessness continued their journey accepted, but continuing to follow a path they both knew could be the wrong one in the end. As for Gelsomina, she continued with the bad, but made it on her own with a feeling of acceptance. Sugar continued with the usual, but tangle accepted and hope that she might no longer have to runaway. If you want to get a full essay, order it on our website:

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