Magical and Sublime Characteristics of A Very Old Man With Enormous Win

sorcerous and Sublime Characteristics of A Very Old Man With Enormous move A Very Old Man With Enormous Wings is a short fiction paper written by Gabriel Garcia Marquez in 1955. It has twain characteristics of magic realism and of the modern sublime. Therefore, Magical Realism and the Sublime calculate to be related in many ways depending on how a person looks at a story. From all of the research I accept read, charming realism and the sublime help to explain the characteristics of one another. This story definitely meets the criteria for magical realism and the sublime because of the many elements described. The very ageing man with go, the unusual miracles, the woman spider, and the crab infestation, represent elements of the sublime and magical realism. Marquez makes these magical elements seem like the natural thing to occur. Angels, miracles, crabs, spiders, and money -making events atomic number 18 very real, but in this story he makes them sound so real and normal, whereas in real life they would be crazy and seriously to believe. I discovered that that this story is based on a eldritch subject rather than something that is just completely not able to be related to some certain thing or orient.Longinus talks most different authors stating that the import of the sublime is clearly that it plumbs the depths of natural, visible reality to sex an aesthetic and psychological experience of its hidden and invisible dimension of mystery, magic, and spirituality(461). Sublime, having spirituality as a characteristic, and magical realism, having magic as a characteristic, are mixed in the story. The very old man with wings is sublime and magical because of its spirituality and the magic he made as he lived in the town. It is a r... ...all based on opinion. I exist that there will be many people will place the two genres in different categories based on what they see. When a magical element is given, not everyone gets the same view out of it. I booth by my point, though magical realism and the sublime are much alike than different. Works Cited Arensberg, Mary. The American Sublime. Ed. Mary Arensberg. Albany N.Y. State University of rude(a) York Press, 1986. 1-5. Faris, Wendy B. Magical Realism Post Expressionism. Magical Realism Theory, History, Community. Ed. Lois Parkinson Zamora and Wendy B. Faris. Durham N.C. Duke UP, 1995 163-190. Longinus. On the Sublime. Cambridge. Harvard UP, 1995. Shopenhauer, Arthur. The World as Will and Idea Philosophies of Art and Beauty. Eds. Albert Hofstadter and Richard Kuhns. stops University of Chicago Press, 1976. 448-468.