About dadaism.

Dadaism From Dada Manifesto [1918] and verbalise on Dada [1922], translated from the french by Robert M separate(a)well, *Dada Painters and Poets*, by Robert Motherwell, New York, pp. *There is a literature that does not while a port the voracious mass. It is the work of creators, issued from a real necessity in the author, produced for himself. It expresses the knowledge of a despotic egoism, in which laws wither away. each page must explode, any by profound unplumbed seriousness, the whirlwind, poetic frenzy, the new, the eternal, the crushing joke, eagerness for principles, or by the way in which it is printed. On the ace hand a tottering world in flight, engage to the glockenspiel of hell, on the other hand: new men. Rough, bouncing, carry on hiccups. Behind them a crippled world and literary quacks with a mania for improvement. I evidence unto you: there is no informant and we do not tremble, we ar not sentimental. We argon a furious Wind, tearing the grungy linen of clouds and prayers, preparing the great spectacle of disaster, fire, decomposition.* We put up put an end to sorrow and replace tears by sirens screeching from one pure to another. Pavilions of intense joy and widowers with the trouble of poison. Dada is the signboard of synopsis; advertising and business are also elements of poetry.

I destroy the knickerbockers of the brain and of social musical theater arrangement: spread demoralisation wherever I go and gag my hand from nirvana to hell, my eyes from hell to heaven, recruit the rich wheel of a universal circus to accusive forces and the inclination of every individual. Philosophy is the enquire: from which side shall we look at life, God, the brain or other phenomena. Everything one looks at is false. I do not ask the relative result to a greater extent important... If you desire to get a full essay, order it on our website: Ordercustompaper.com

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